#Originally I wasn't going to have this part

[gyaruhana]

please do one where Thanos starts off as your unlikely ally in the games, protecting you from danger and helping you survive. Over time, his protectiveness becomes obsessive, and he begins eliminating anyone he sees as a threat to keeping you by his side even as you start to notice his unsettling behavior you can’t escape his grasp🙏

Thanos/Choi Su-Bong - yandere bf

Synopsis: In an attempt to escape from Thanos, you join a game promising money that will help you escape him. Unfortunately, he also seemed to have joined the game.

A/N: I may have combined this with two other requests bc they were all so similar so.. i hope thats okay !!

Warning: yandere thanos, choking

If you had told your younger self you’d be in a game of death with 45.6 billion won up for grabs, you wouldn’t believe it. And yet, it’s true. After the tragedy that was Red Light, Green Light where many people met a rather unfortunate fate, you realized it’d be in your best interest to find someone you can trust and form an alliance with them.

Unfortunately for you, your boyfriend, Thanos, happened to also be a part of the games and had been watching you from a distance since he spotted you in the first game. You had originally wanted to get away from him because he was nothing but toxic though now it seems Thanos was one step ahead of you. That, or you just had terrible luck and Thanos decided to come here on his own accord. 

You didn't have time to think about it though because he suddenly got up and left his little group behind to make his way straight to you. He didn't seem happy at all. Perhaps it was because the last conversation you two had was an argument that was left off on a bad note. 

“Where have you been? Were you avoiding me? That makes me really fucking mad, you know,” he says as he grabs your wrist so you can't just walk away from him. Not like there was anywhere to go now. You were stuck with him here. 

“I was just taking some time for myself,” you respond defensively. You really just wanted to get away from him which is why you were here in the first place. Your original plan was to win some money and then disappear so you'd never have to deal with Thanos and his crazy behavior again. It was suffocating to be near him.

“Time for yourself? Don't fucking lie to me,” he says as he brings you closer to him. Nothing about him was gentle. Not his touches, or his kisses, or anything. “Well, you've had your time. You're not leaving my side now,” he continues as he looks down at you with a glare. He wasn't leaving any room for you to defy him. In his eyes, you belonged to him. You were his property and that meant you couldn't go rogue and do what you want. 

“You don't get a say in that,” you say as you lean back slightly to try to create some distance between the two of you. He lets out a bitter laugh before grabbing the back of your head, entangling his fingers in your hair, and forcing you closer. “Yes, I do. In case you forgot, you're stuck in a death game with me. Do you really think anyone else will help you? Nobody else here gives a fuck about you. The moment they get the chance, they'll let a bullet go through your head,” he says as he looks down at you with a slightly crazed look. 

You'd like to make a counter point but he’s not exactly wrong. A lot of the people here didn't seem to be trustworthy. Not like Thanos was any better but he probably wouldn't purposely kill you if you didn't piss him off, right? As much as you didn't want to, you realized you didn't have much choice. Unless you want to make an enemy right after the first game, Thanos was your only hope of surviving the rest of the games.

“That's better. Just keep your pretty lips shut and let me do the talking,” Thanos spoke with a slight smirk. You didn't respond to that knowing that you'd likely make some sarcastic quip that would piss him off if you did. You didn't have a choice this time. You couldn't run away to another country. You had to give in just this once.

You'd soon come to regret that decision. 

Somehow, Thanos had only gotten worse. He was always right next to you, no matter what. Either his hand would be over your shoulder or he'd have a tight grip on your waist. When it was lights out, he'd force you to sleep in the same bed as him. He'd kiss you all the time too but it was always rough with teeth clashing against each other and his tongue shoved down your throat.

You didn't notice it got worse until it was far too late. 

The moment of realization was during the third game. The game was called ‘mingle’ and it was simple enough. A number would be called out and you'd have 30 seconds to form a group of that number before getting inside one of the fifty rooms. 

Everyone stood on a circular platform in the center of the room and, per usual, Thanos had his arm over your shoulder, keeping you close to him as he spoke to his other stupid friend. The platform began to spin slowly as a childish song played. When the platform came to a sudden stop and a number was called out you formed a group and ran into a room. 

It was all going fine as you planned strategic moves and managed to keep on surviving. At least, it was going well. Until the last round when the number 2 was called. 

Thanos had immediately taken your wrist and dragged you towards a room, leaving behind his idiot friend without a second thought. However, the room was quickly stolen by two other players. You thought Thanos would just go to the next room over but that was not what happened.

Instead he pushed open the door and immediately grabbed one of the guys by their hair. He didn't think twice before he forced him out of the room. The other guy made an attempt to help but Thanos slammed him against the wall, his hand going around his throat as he choked him. The look in his eyes was far more scary than you remember. You could hardly process what was happening before the guy was punched in the face and pushed out of the room. 

Thanos pulled you in just before the door closed and locked. The sound of gunshots rang out soon after as Thanos huffed in annoyance. He looked guilt free despite the fact he was very much responsible for the death of two people. Actually, now that you really thought about it, he had killed other people in the previous games too.

Fuck. You were beginning to regret your choice of becoming his ally. You'd have much rather found someone else who could protect you from him because he was clearly fucking crazy. Crazier than he used to be. You thought he was just a manipulative, toxic bastard. You didn't think he'd be truly capable of murder. 

“Fucking dickheads,” Thanos mumbles under his breath with annoyance before glancing at your face. The corner of his lips quirked up when he noticed your expression and he wandered in front of you. “What? Something wrong?” He spoke though he already knew exactly what you were thinking.

“You killed those people,” you said as you looked up at him with a combination of fear and disbelief. He laughed in response before reaching a hand up and grabbing your face. “For you, baby. I fucking killed them for you,” he said as he looked down at you with a smirk. He found your expression such a turn-on really. The idea you were afraid of him meant you'd submit to him and that's all he wanted.

“You're fucking crazy.. crazier than I thought,” you spoke as you tried to step back and create some distance between the two of you. In response, he slammed you against the wall and got very close to you. 

“You're only just realizing this? You don't realize when I snapped the ankle of that bastard who looked at you so he'd lose? You didn't realize when our ‘friend’ and I returned but he had a bleeding nose?” He spoke as he got into your face with a dangerous grin. Well, when he said it like that, it became abundantly clear he had been killing and hurting people left and right since day one and all for you. You just had been too caught up in his behavior towards you that you didn't notice how he acted with others.

“Mm. Fuck, I love that look on your face. You're so afraid. Good. Because you're going to learn that you're mine forever, yeah?” He spoke as he brought a hand to your throat and squeezed it tightly. He let out a laugh as he choked you like it was the funniest thing in the world before slamming his lips to yours in a rough kiss. 

It was then you realized that, no matter how hard you tried to escape, you were his now - you always have been - and you will never taste freedom on your tongue again.

[chaostudee]

new years day, charles leclerc

summary : you and charles have been friendly from a distance but recently you have been yearning for him, at a new years eve party you find that your feelings are not unrequited. warnings : suggestive content, language, use of an original character. a/n : i feel like all i do is write smau's so here is a written fic for once 😭💗

charles looked good, almost too good. his shoulders were clad with a ferrari customized suit jacket, a black and blue tie hung around his neck yet his hair was the most jaw dropping part. his curls hung loose and carelessly fell as though he had simply just woken up. and whenever he spoke you caught a glimpse of his dimples. it could truly make anybody melt.

"you know he ended things with that charlotte girl" your friend kristy whispers which pulls you from your trance.

you look at her and roll your eyes. "and what do u expect me to do with that information?". you take a swig of your martini before then taking the olive and swirling it around in the liquid.

kristy takes a sip of her own beverage and chuckles at your reply. "you know damn well what you should do y/n". kristy runs a hand through her blonde hair and then drifts her gaze over to charles.

charles was now deep in conversation with carlos about god knows what but you couldn't pull your eyes away from him.

at that moment charles turned to find you looking right at him. charles's breath hitched when he met eye contact with you. to him, it seemed that everyday you got more beautiful and honestly he didn't know how much longer he would be able to control himself. the black dress that you were wearing really accented your curves and he could sense the confidence of you radiating.

charles smiles at you and nods whilst doing so. immediately a rush of warmth rushes to your cheeks and u flash him a small smile before turning away and tucking a strand of hair behind your ear.

kristy, having watched this interaction full on looks at you with her mouth hanging open. "girl he wants you baddd, i swear to god if you don't do something abour this tonight i might go insane".

you can't deny her words. maybe tonight could be the night that you reveal your feelings for him. "but i'm scared" you mumble and kristy nods at you sympathetically knowing your dating history. you had been dumped plenty of times and rejection was the usual for you.

"i know you are but y/n you have to do this because otherwise he really will just settle down with some other girl and you'll never get over it".

sure charles had been with many girls but he had always assured you that they were just casual relationships. truthfully that didn't make you feel any better.

"yeah you're right" you admit, finally coming to the realization that you have to make a move. you had seen the way other women had looked at him, and you resonated with them.

"i'm just going to go to the bathroom real quick can u mind my purse for me". kristy nods and shoos you off to the bathroom.

you walk off elegantly in fear that you would trip because wearing heels wasn't the usual but whenever you were in the presence of charles it was a must. he noticed you more and you craved his attention more than anything.

as kristy watches you walk in the direction of the bathroom a genuis idea creeped into her conscience. it was for your own good.

picking up your purse kristy picks up your purse and heads firmly over to charles. tapping him on the shoulder pulls him midst conversation.

before charles can speak kristy interjects. "can u give y/n her purse i gotta go" kristy points in the far off distance.

charles opens his mouth but he is interrupted once again. "aw thank you so much charles you are amazing, she's in the bathroom", kristy places a kiss on his cheek and walks off bristly.

kristy looks back and upon spotting charles walking towards you, she smiles knowing how this will end. and even so what harm does a little meddling do?

༘˚⋆𐙚｡⋆𖦹.✧˚

taking a deep breath you look at yourself in the mirror, whilst running your hands under the warm water. the girl that you are greeted with in the reflection is clearly relunctant to go back to the party. kristy had dragged you along in the first place, social gatherings weren't really your scene but kristy always stook by your side and made it bearable.

"not much longer y/n and then u can go home" u whisper to yourself as an affirmation, looking at yourself in the looking glass one last time. you sigh and reluctantly exit the bathroom.

suddenly someone walks straight into causing you to stumble backwards but you are caught when you feel an arm fall into place on your lower back.

typically it's charles. "i'm so so sorry are you okay y/n i wasn't looking" he insists looking at you up and down making sure that he hadn't hurt you.

you clear your throat and steady yourself. "yeah no no i'm fine don't worry about it" you insist as you are more so thanking fate for letting this scenario play out.

you look at him and see that he is a holding a purse, your heart sinks for a moment but then you notice it's yours.

he follows your gaze. "oh yeah kristy wanted me to give this to you" charles suddenly remembers his primary task but it was hard for his brain to function when he was alone with you.

charles hands you your purse and for a moment time freezes as his fingers latch onto yours. you both lock your eyes on one another, both not daring enough to utter a single word.

the moment ends and your purse is returned to you and now you are left red faced and with a racing heart. charles sticks his hands into his trouser pockets and bites his lip nervously.

"so um how are you.....i um heard you and charlotte ended things".

charles nods and looks down at his feet. "oh yeah that was never going to work out".

you stare at him confused because he had seemed happy with her, happier than you had seen him with most girls.

"how come, you seemed so happy" you furrow your eyebrows as you speak.

charles looks back up at you and sweeps his tongue across the inside of his cheek. "she um thinks that i'm in love with someone else". this wasn't a lie, truth be told charlottle had seen the way that charles's eyes lingered too long and how his attention was grabbed everytime you spoke. she knew he would never feel the same way about her.

your eyes widen at this. had charles been cheating on charlottle?

"and are you?" you push the question wanting more information. even if the truth would hurt you wanted to know.

"well it's hard to love someone when you don't know if they feel the same".

"have you told her?"

"no um no i haven't".

"why not?"

"too hard" charles says bluntly.

"how come?"

"she means alot to me and i truly would never want to hurt her". charles looks at you innocently like those words mean nothing to you when infact they mean everything. because he is talking about you.

at this precise moment the countdown for the new year had just begun. you turn to charles but don't have the courage to muster what you want to say.

"um i think we should go and um-"

charles grabs your wrist. "stay, please".

you look down at his hand and back up at him, his eyes pleading for you to stick with him. how could resist that look.

"3"

"2"

"1"

as the bell rings for the new year you hear countless people cheering and popping champagne bottles.

but before you can even register your surroundings charles pulls you closer to him, decreasing the small gap that had distanced you before.

charles takes his hand and uses it to push a piece of your hair behind your ear. he then brings his mouth alongside your ear, his warmth breath fanning across your neck, causing you to shiver.

"happy new year y/n".

charles presses his lips against yours and at first its soft and everything you have been wishing for. his hand is tender on your cheek as your lips respond in sync. but then charles becomes more forceful taking dominance. you surrender and allow him to take the lead. you both pull away for a sliver of a moment to take a breath, your chests heaving trying to gather extra oxygen.

charles presses his forehead against yours and sighs.

"you don't know how long i've been wanting to do that" he admits with no shame that he had a desire for you for quite some time.

you chuckle because it had been the same for you. "i'm so glad you did" and at this charles smiles and presses a soft kiss on your lips once again.

"so now what?"

"now it's just me and you"

charles presses a kiss to your cheek and holds out his hand instructing you to take it. you walk through the main party entrance to find many couples making out and some strays downing alcohol.

kristy is in the corner chatting to a man, twirling her hair around her finger. charles leads you up the stairwell and kristy spots you and silenty to applauds her victory.

kristy sends you a wink and it suddenly registers in your mind that this was all her doing. you blow her a kiss and she catches it.

charles with his hand still tightly slotted into your own turns around to check on you. "you okay?" he asks.

you smile broadly and for once you can say confidently.

"i'm perfect".

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[immaturityofthomasastruc]

IOTA Reviews: Ladybug and Cat Noir: The Movie

Once again, I'd just like to apologize for the lack of activity the past few months. The holidays have kept me busy, especially at work, and I've officially decided to go back to school next month. Don't get me wrong, one of my new year's resolutions is to at least try getting back to consistently working on this blog, which is one of the reasons why I'm going to tackle She-Ra in the future. Either way, I'd like to thank you for supporting me this past year even though I haven't been as active as I should be.

When I heard Miraculous Ladybug was getting a movie, I didn't really pay too much attention to the news due to all of the side projects that have been canceled left and right, but then I saw the trailer. It looked decent, and while I had issues with the animation, I was willing to give it a shot since Astruc wasn't on the writing team. Then the movie came out, and while it got mixed reviews, this was how a lot of people in the fandom saw it after suffering through Season 5.

Yeah, a lot of fans hold this movie in high regard. It's nothing as groundbreaking as other animated films that came out the same year like Across the Spider-Verse and Nimona, but for a Miraculous Ladybug project, it turned out pretty well. That is, except for the brief schism it caused in the fandom. While it's mostly subsided, when the movie came out, there was a debate on which handled the story better, the movie or the show. As always, fandom arguments tend to get complicated, and things only got worse when Thomas Astruc himself decided to throw his hat in the ring by claiming that the show he worked on was better.

Yes, even though fans enjoy a movie based on his characters, because he isn't the one who made it, Astruc thinks his version is better. Just remember, he tweeted this about a month after “Derision” premiered. I feel like that speaks for itself.

Thankfully, the argument has died down for the most part, though there's still discussions on which is the better version. Before I really get into the movie, I just want to remind everyone reading this that my opinion shouldn't be taken as fact. I am not the authority on what people should like, and I don't want anyone to use my review as an excuse to bully other people online for having a different opinion on the movie. While I've made jokes about the show's decline in quality, the show and movie both have their own strengths and weaknesses, and we should be able to discuss them.

With all that out of the way, let's get into Ladybug & Cat Noir: The Movie

Just to be clear, I'm not going to tackle this like my usual reviews. Instead, I'm going to break this review into three sections: what I liked, what I didn't like, and what I'm mixed on.

Things I liked

For one thing, the characterization is pulled off very well. None of the characters are really as annoying or incompetent like they were in the show's later seasons. Part of what I think makes it work is that there's more focus on character arcs that have to be completed by the end of the film. Marinette has to learn to step up as a hero, Adrien has to learn humility while dealing with the loss of his mother, and Gabriel struggles to resist the allure of villainy.

Marinette's anxiety is more pronounced in this movie, especially since in this continuity, Chloe is just starting to harass her, so she's not used to this kind of treatment. While Chloe is a minor antagonist in the civilian plotline, the biggest threat to Marinette when she's not Ladybug is her own self-doubt. Her status as an outcast is used to add to Marinette's lack of confidence in herself. The whole reason she even meets Adrien here is because she tried to hide from Chloe in the library, and she was too nervous to really speak up to Adrien. Hell, the first time she transforms into Ladybug, it's only because Tikki forced her to transform.

I like how Marinette's insecurities transition into her origin as Ladybug, where she's put in a situation where she has to take charge and be more confident. She still gets frustrated with her situation and her new partner's ego (more on that in a minute), but she struggles to really get her head in the game at first compared to how things were in “Origins”. It makes her development into the confident hero we're all familiar with feel more natural, as the climax of the movie shows her fully asserting herself as the protector of Paris and a beacon of hope for those to look up to.

Adrien is also handled very well here. As much as I liked “Origins”, I have to admit it didn't really do much with him as a character. With the exception of wasting his first Cataclysm, he just goes about the two-parter like it's another day at the office for him. That's why I'm a huge fan of the movie actually giving him stuff to do. Unlike the show, his arrogance is shown in a more negative light and is shown to be a major character flaw he needs to overcome. Nobody tries to excuse or deny his actions, and he learns how to become a better person.

This is what makes his dynamic with Ladybug so interesting. For their first battle together, he's overconfident and assumes that he's the leader, even though he's just as new at this as Ladybug is. The two trade insults and bicker while fighting their Akuma and even when they meet Master Fu afterwards. While Cat Noir does fall for Ladybug, Marinette still isn't open to it, not because she loves someone else, but more because she finds him to be unbelievably annoying. She doesn't really hate him the same way she does Chloe. It's more like that one coworker you can't stand but have to tolerate regardless.

Both Ladybug and Cat Noir help the other improve as they gain each other's respect. Ladybug gains more confidence in order to keep Cat Noir from bossing her around, while Cat Noir becomes more humble to become a better hero. Eventually, Cat Noir reverses his position and assumes he's the sidekick, only for Ladybug to deny that claim and declare that the two are partners. This statement also reflects how both of them are responsible for saving the day in the end. While Adrien ultimately reaches through to his father, Ladybug saves Adrien and repairs the damage caused by Hawkmoth. Both played a role that was instrumental in the climax, and neither one feels ignored by the narrative.

Another character who really got a much needed revamp is Chloe. Yes, she's still Marinette's primary bully, but it's more downplayed than in later seasons. She stays a challenge exclusive to Marinette's civilian life instead of trying to be a challenge to Ladybug. The closest thing she does to opposing the heroes is kick Cat Noir off a runaway Ferris wheel out of fear, and even then, she gets her comeuppance through Ladybug throwing her in a dumpster while saving her. Chloe is also much smarter than in canon, being able to read the room to mask her emotions and maintain her image or to prey on someone's insecurities if they get in her way. Don't get me wrong, she's still a source of comic relief, but the movie treats her slightly more seriously than canon does.

Speaking of comic relief, here's something that I think made this Chloe better than the one seen in the show: The jokes were actually funny. Yeah, it's not laugh out loud, but I like how rather than make jokes about how immature and stupid Chloe is, her jokes are focused more on her own ego and self-image. Well, that, and wanting to kick Marinette's ass. I'm not making this up. Chloe in this movie threatens Marinette several times, and it's honestly amazing.

She unironically put the fear of God in Marinette's eyes in her first scene alone.

I also like how they handle her role as a love rival to Marinette. Unlike the show, Chloe and Adrien never interact, and it's implied that this continuity won't use the childhood friends element introduced in Season 2. It's a good way to show the difference between her and Marinette, how for all her boasting, Chloe doesn't know Adrien the way Marinette gets to know him.

Gabriel is easily the best part of the movie. This version is more fleshed out compared to the show. Rather than flip-flop between sympathetic and pure evil, the movie leans more on the sympathetic side for Gabriel's character. His very first scene shows the grief he's going through while thinking about Emilie, and Keith Silverstein gets to show off more emotions than just over the top sociopathy. You understand why he chooses to become a supervillain, but you want to see him get better, making for a very somber character. I especially love the delivery of the line where he finally gives in and transforms for the first time.

Gabriel: If chaos is the way, I will burn the world and lose myself in the flames to do so!

That line has no right to go as hard as it does.

We see him descend more into villainy as his appearance becomes more disheveled. Despite claiming to care for his son, the Gabriel and Adrien don't interact until the 70-minute mark. By the time the two do talk, Gabriel looks like a mess compared to how he looked at the beginning.

I really like this writing decision, as it highlights the distant relationship between the two, and how being Hawkmoth has only made things worse for Gabriel. Seeing Gabriel finally realize how unhealthy his coping mechanisms have been when he learns Adrien is Cat Noir is a satisfying scene, as it feels like a natural way to put an end to his arc. Compared to canon where he wins and never really feels bad for what he did, this version of Gabriel is far more remorseful at the sight of his son battered and bruised and breaks down sobbing. Remember, this was the version Astruc said we “wanted” and not the one we “needed”.

As for the Miraculous, things were changed to better fit the story, and I like most of what they did. I like how there's more focus on the teamwork between Ladybug and Cat Noir. Their Miraculous don't just grant a wish when used together. They literally become stronger when the two work together, and it makes a lot of sense. I like how the teamwork aspect is rewarded in-universe, because it shows how the heroes can do more than create and destroy stuff. I also think the addition of a call function on their Miraculous makes perfect sense, and clears up a ton of potential communication errors.

The fight scenes are also pretty creative. There's a lot of focus on using the environment to fight the Akumas. The very first fight has Ladybug and Cat Noir defeat the Akuma by letting a train hit it, and the second major fight involves a Ferris wheel going out of control. This leads to more varied action and well choreographed fight scenes. I especially like how with the exception of the Mime (and a brief reference to the Bubbler and Guitar Villain), all of the Akumas are brand-new, so older fans don't know what to expect with these guys.

This level of action also extends to the climax. Hawkmoth uses an Akuma on himself, sending out a massive flock of butterflies. You'd think it'd be like this movie's take on “Heroes' Day”, right? Nope! Instead, the Akumas become tiny attack drones that swarm over Paris like the eight plague of Egypt. I don't know how the animators managed to make an army of purple butterflies menacing, but by God, they did it.

Speaking of animators, my thoughts on the animation have changed drastically. While I still have minor gripes with the character design, I still love how the city of Paris is brought to life, making it seem more populated than in the show. I never really held the limited amount of civilians against the animators in the show, but I'm so happy we can see this show's environment on a cinematic budget. The animation is another reason why I think the action works so well in this movie.

Things I didn't like

When it comes to the changes to the Miraculous, one thing I'm not a fan of is Ladybug not getting her Lucky Charm. It misses the point of her having the power of creation. Yeah, she still has the spotted vision thing she had in the show, but it takes away what made the way she defeats Akumas interesting. She doesn't just beat them into submission. Sometimes, she outsmarts them or reasons with them, and part of the fun with the Lucky Charm is seeing just how she'll use something like a coat hanger or an old football trophy to defeat them.

I also don't like this movie's take on the Butterfly Miraculous. The very first scene has Master Fu build it up as an evil artifact capable of turning people into monsters. Remember, “Origins” established the Butterfly as something capable of creating superheroes, a power Gabriel twisted to create villains instead. Hell, I hate this rule, but the Paris Special made it clear that Miraculous can be used for good or evil, and it all depends on how the power is used. In other words, Miraculous don't kill people, people kill people. Bottom line, I prefer the idea of the Butterfly being the same as the other Miraculous, with the user and intent making it evil.

The one character who I felt the movie absolutely misrepresented was Plagg. This version of the character has none of the heart he had in the show. Yes, Plagg was crass there too, but he had just as many scenes showing how he cared for Adrien like a little brother or a nephew. He was Adrien's primary confidant and wanted to help him however he could. Even bad Plagg-centric episodes like “Kuro Neko” or “The Kwamis' Choice” made it clear he wants what's best for Adrien and is capable of coming up with plans if they'll help him.

Here, Plagg is mostly just there to make snide comments and fart a lot. Say what you will about the show, but at least it didn't make Plagg farting into a running gag. Plagg only gets a handful of lines in the entire movie, to the point where even Tom has more lines than he does. Tikki gets plenty of scenes with Marinette and an entire song, while Plagg feels like an afterthought.

Things I'm mixed on

This might be a little controversial, but I have mixed feelings on the portrayal of the Love Square as a whole in this movie. Don't get me wrong, the Ladynoir scenes are great, but there's not as many Adrienette, Ladrien, or Marichat scenes. In fact, I don't think there were any Ladrien or Marichat scenes in this movie, which is weird. I can at least excuse those, but it's weird how little Adrienette scenes there are. Not counting the masks, they only have four major scenes together before the end, and one of those is a deleted scene that had the dialogue cut over a montage.

While I'm glad the entire movie wasn't about the Love Square drama, the romance between Marinette and Adrien specifically feels a little rushed. I think it would have benefited the movie to have ten or fifteen more minutes to flesh out this subplot a little instead of only focusing on Ladynoir.

I'm also unsure what to say about the songs. Most of them are pretty catchy and have great visuals, but the dissonance between the singing voices of Marinette and Adrien throws me off. I don't get why neither actor for the French or English dub was asked to sing. For some reason, Tikki and Gabriel's voice actors got to sing, but not Marinette and Adrien. At the very least, Drew Ryan Scott's singing voice sort of sounds like Adrien, but Lou's singing voice makes Marinette sound twice her age. Don't get me wrong, I still liked the songs, but this choice was very jarring to me.

And now, because literally nobody asked for it, here's every song in the movie ranked.

8. If I Believed in Me

A very dull “I want” song that's just Marinette wandering around Paris on the way to school. Compared to “Little Town” from Beauty and the Beast, where you can easily follow Belle and understand how she goes about her day, it's not clear what kind of route Marinette is taking. Even the lyrics are pretty bland, just talking about wanting to follow her dreams and be more confident. The issue is that her dreams of being a fashion designer barely factor into the plot, and she only becomes more confident thanks to being a superhero, something she didn't dream of. The only real dud in the soundtrack.

7. Opening Remix

Not much to say here. It's a remix of the opening theme with the new singers. It sounds nice.

6. Reaching Out

This is a much better song than “If I Believed in Me”. It does a great job expressing Marinette's doubt and how she feels pressured to be somebody she's not. Great way to follow up on her heart getting broken by Adrien.

5. My Lady

This one's a quickie, but it's still fun. I love the visuals in this one and how it gradually crescendos, reflecting the new feelings Cat Noir has for Ladybug developing.

4. Stronger Together

Surprisingly, Ladybug and Cat Noir's only duet in the movie, but it's still really good. I love the use of the set in the theater Cat Noir took Ladybug to at the beginning before they run around Paris. The lyrics do a great job showing how far the two's relationship has come, making it clear how close they are, only for reality to metaphorically kick them out of the sky.

3. You Are Ladybug

Another duet, this time between Marinette and Tikki. While I still think Cristina Vee should have gotten to sing this one song given her chemistry with Mela Lee, Lou still does a great job expressing her anxiety. The back and forth between Tikki and Marinette makes this a blast to watch, especially with it using the same music as the theme song. Even the rap part with Tikki was fun to watch. I especially love the part where Tikki excitedly tells Marinette about how dangerous the job is and how close she'll come to getting killed.

2. Chaos Will Reign Today

The villain song in this movie had no right to be as good as it is. The visuals are eerie and fit the more menacing tone of the song. Keith Silverstein gives his all to make up for his crime of singing the Hawkmoth Rap. It's also a hell of a lot better than the villain song Disney had to offer that year.

1. Courage in Me

Easily my favorite song in the movie. The visuals of Marinette struggling to hop across these black spots symbolizing her yo-yo before her transformation into Ladybug is awe-inspiring. The lyrics are a great way to solidify Marinette embracing her role as Ladybug, and it's such a triumphant song to listen to.

Other things I noticed

During the first Akuma fight, Ladybug and Cat Noir pass by some guys with stereotypical French accents while almost every other character speaks like they're in America.

Careless Whisper plays one time in Cat Noir's mind as he develops feelings for Ladybug. The fact that he listens to it after getting his heart broken has to be one of the most subtle jokes I've ever seen in this franchise. Of course, it's clear what the best superhero cover of Careless Whisper really is.

Cat Noir says he has the power of destruction in his introduction while being impressed when Master Fu says the same thing.

There's a Volkswagon tie-in that actually features the two heroes promoting some cars in-universe. This is a real shot from the movie.

I think Chloe ships Alyanette, judging from this exchange:

Marinette: Seriously, Alya, you think Adrien would say yes?

Alya: Of course! I'm gonna ask Nino.

Chloe: I think you should go together, 'cause Adrien is coming with me, not with some baker girl.

I don't think Ladybug ever learned Cat Noir could play the piano, so seeing Cat Noir try to woo her with a little piano number is a nice inclusion.

When Cat Noir's mask is destroyed in the final battle, his exposed eye is still green. Was this where the chibi shorts got the idea from?

Other people have pointed this out, but the picture of Adrien as a kid is traced from a character from The Boss Baby. That's an automatic ten point deduction for making me remember that movie exists.

The post-credits scene with Nathalie was weird.

Did Master Fu not know he lost the Peacock Miraculous too?

Why isn't Emilie in any form of suspended animation?

Is the Peacock still damaged?

Did the Peacock still kill her/send her into a coma?

Was Adrien still created by the Peacock?

Why didn't Gabriel use the Peacock or at least consider it?

Did Gabriel forget to tell anyone about the other Miraculous he has after turning himself in?

Why did Gabriel choose to tell Nathalie when she didn't seem to help him while he was still Hawkmoth?

Final Thoughts

Overall, this was a really good movie, and a fresh take on the show's universe. I had issues with it, but I still think this movie series has promise. The animation was great, the songs were catchy, and the characterization was on point for the most part. It even manages to be a better musical than the ones big names like Disney and Warner Bros have made in the past two years. It's one of the best things to come out of the franchise, no question. I wouldn't mind future installments set in this continuity over whatever Season 6 churns out.

[kingjasnah]

after finishing wat i'm even more confused on what cultivation's end goal was? did she think taravangian was going to just chill after taking odium and end all the wars? or was all this (dalinar rejecting honour and retribution forming) part of her grand plan since she was the one who told dalinar to go find honour in the first place?

yeah this was so not her end game, what happened was apocalyptically bad for almost everyone involved. ok so i believe cultivation's gambit was originally that taravangian's nightwatcher curse of extreme intellect and extreme compassion would help him master the odium shard, like he'd still be odium but he would have the human compassion (and taravangian's ties to his family and kharbranth) to balance out the shard's own will/intent ig of hatred. so he'd be able to control it almost, like he wouldn't be ruled by it. the gambit was that taravangian loved humanity to the point of maybe stopping the desolations to preserve human life (a very 'cultivation' perspective to have).

of course this blew up in her face so badly that he wiped kharbranth off the map and man if im really honest this was one of my fave parts of the book. the realization throughout the interludes that taravangian's altruism was actually rooted in this deep selfishness and that it wasn't that he wanted his people to be safe, HE wanted to be the one to make them safe and HE wanted to be the only one to rule them in the name of their own safety. and he'd kill his own family for that. that's so awesome i loved it. and it all snowballed into this love and desire for pure conquest. he wouldn't have become retribution without both the compassion and intelligence cultivation granted him but she misjudged him and the reasons behind his soft heart so badly that she sooooooo didn't see it coming

[kookoomyboy]

resile | prologue - act i: date @ 8

⊂❀⊃ pairing : jungkook x oc

⊂❀⊃ genre : richceo!jk, independentgf!oc, angst,

⊂❀⊃ wc: 1258

⊂❀⊃ summary : prologue | when he stood you up on date day

⊂❀⊃ a/n : was originally a drabble but i want to continue this.. what do you guys think?

< jjk titles,,> ♡ kookoomyboy ®

⋆.˚ ᡣ𐭩 .𖥔˚

The sun glared at your skin, creating a mystical glow on it and you were just getting ready for the day, a special one. Adjusting your fit to look even more presentable, looking towards the slightly parted blinds on the window while the morning beamed with felicity for the eventful day ahead of you and your boyfriend, Jeon Jungkook. Your gaze fixed upon him, snuggled into the soft cushion beneath, his cheek looked like squishy cotton ball with lips apart and soft snores making their way out. 

Without making the tiniest of noises, you tried your best to tip-toe towards the side-table where the remote control of the blinds laid, ultimate aim to pick it up and close it for him to continue his slumber with utmost comfort. Unfortunately, or maybe fortunate for you, his strong hold around you was pretty sudden, and the next moment, he turned you around and hugged you tighter, head resting on your waist. 

“Jungkook ! I didn’t know you woke up already.” You squealed when he rubbed his cute nose on you in an attempt to tickle. 

“I’m unpredictable, darling, isn’t this a good morning already?” He sprang out of bed, now towering over you, leaving a smooch under your earlobe before darting away realizing he’s late for work.

“Why’s he all bubbly and adorable today, geez.” The thought lingered all along, even after meeting him in the kitchen for breakfast when he randomly picked you up while you were arranging the table, and kissed you out of nowhere, sending a wave of butterflies out of leash in your tummy, seeming like the old teenager Y/N in love. 

The times where you were in love to the far depths of the blue ocean, particularly recalling the silliest date you both agreed on, where you dress up as the princess, him being the knight in shining armor who heroically bags a place in the enchanting princess’ heart like no other and like that, the both of you walk forth, arms linked as a promise. 

The random park you chose for this small act-date erupts in cheers afterwards with all the children running towards him and you, distributing chocolates bought with the money you both saved together. Even in the initial stages, each step in the relationship was held and took care of with combined efforts. 

And today marks the first year of togetherness, love and passionate bonding between the both of you. Being the power couple of the Nation, brought in umpteen responsibilities but your relationship was as beautiful and childlike as it was when you first met. His empire, you, his queen.

You swore your eyes got extra sweaty when he pulled the chair for you to get seated right after the levitating kiss, and arranged the table neatly, his biceps flexed under the white suit piece he chose, adding to that, you caught a glimpse of his back hand where vine of roses were etched onto. 

That was the first ever tattoo he got after university, but with a twist. You had the latter part of the similar tattoo going down your neck, completing his. And thus, whenever you kissed, his hands would curve around your neck, gripping you closer, and the tattoo came into life.

"Darling, eyes on me. Have your food before it gets cold, I'm running out of time." He murmurs ever so gently, eyes forming crescents as he watches you dig in.

You were tumbling, falling and getting back up and sometimes even flying with the amount of love feelings in you right now. His gestures, soft gazes, were driving you nuts and hence you were down bad. Late would be an understatement. You were fucking late and doomed.

He wasn't that typical son who inherited his father's company and became the successful CEO, it was his own blood, sweat and tears that earned him the power he held. His father wasn't a businessman either to begin with. The whole family of his, including his younger sister who was currently in university, aspired to be / are professors. Jungkook had different plans for himself that led him to where he was today.

He felt that one field didn't interest him. And thus, even after several disagreements from his parents, he built his own empire.

You were supportive and proud of how hard he worked and thrived all along to have such a life. His happiness was practically yours too. It was your sole decision to be with him.

Even though you worked away from him, there was no stopping him from dropping you at work just to spend an extra 10 minutes with you in the car before anything.

He pulled up a few meters away from your office building before taking your hands in his grip, lacing them together.

"We're here. Have a good day love, oh wait, today is already the best day isn't it?" He grins slyly at you, before playing with your slender fingers in his hold.

"Yes Mr. Jeon, it indeed is. Happy anniversary, a whole year after you and I, becoming 'us' ".

"Damn that hit right here, where you belong." He gently patted the part of the chest where the heart was.

"That was too cheesy, now I'm already so late. See you later in the evening, yeah? I Love you Jeon." You scooted off from his hold, opening the car before leaning down to leave a peck on his plum like lips through the open window.

"I love you too, baby!" He screamed at you, as a few of your colleagues at your own atelier heard it as well, chuckling at the adorable couple.

Your joints cracked after a long day at work, stretching out more and groaning in relaxation. 

"Excuse me, Miss Y/N? There's a parcel for you, from your boyfriend."

Your eyes widened in curiosity as your colleagues' heads shot up in curiosity. 

Awkwardly scurrying to the man, you bowed before collecting it and opened it immediately. 

Hey love, 

This is for you to change into before coming to the usual restaurant of ours. 8:00 pm, don't forget.

Your jeon.

Smiling too wide, you peeked inside, only to find an elegant blue dress with floral designs. It was his favorite color.

– back at home.

Parting away from the mirror, you examined yourself head to toe, the perfect sized blue dress he picked for you, wrapped around your figure as you hair hung loose until your waist, light curls at the end as a final touch. You looked simple, yet elegant like the pretty blue sky.

Driving off to the regular restaurant you both had dates on occasionally, you waited in the car as instructed by Jungkook, but he was nowhere to be found, even after half an hour of waiting and waiting. Deciding to check with the staff, you made your way inside.

"Excuse me? Can I know if there's any reservation made in the name of Mr. Jeon Jungkook or Choi Y/N?"

"Sure ma'am. There's none in either of the names, but there's one under the name of Mr. Jeon Jihyun, but they've left."

"That's Jungkook’s father. Why were they here? Am I missing something.." You pondered, deciding to text Jungkook for any information, but the texts weren't delivered to him.

Your head hurt, with all the negative thoughts clouding up,

Why did he ignore our date after everything, that too without any prior informing? Is he hiding something?

[baphometsss]

I've had these feelings about how the ancient elves really saw spirits for a while and I'm pretty sure, after finishing datv, that it wasn't too different to how most modern Thedosians see spirits i.e. not as people, but half-people or sub-people at best.

We know that the ancient elves were originally spirits, but even Mythal, 'the best of them', sees herself as being better than spirits. She herself says that she is the best of both worlds after building her body out of lyrium.

The thing that really sells it to me though is Solas's choice of the word 'creature' when he lambasts the Inquisitor for drinking from the Well of Sorrows. He says that they have given up a part of themselves. They are no longer fully the person they believe they are because a. they've given up some of their free will and b. they've given it to Mythal, who did this to him and others, so she could use them for her own ends--at the expense of their free will. They are her 'creature' because that is how Mythal will see them now. She will use them without even their knowledge. They are not a person, but a tool, a pet, an attack dog, a body to posess. He knows this because she did it to him and who knows how many others.

We know that Solas, regardless of the things he did later, fundamentally disagreed with this element of Elvhen society or at least the way the Evanuris saw spirits. Yes, they referred to spirits as their 'brethren of the sky' and had much more cordial relationships with them than modern Thedosians do, at least in the beginning. Yet it still seems like they lost this at some point (probably because they began to follow the Evanuris' example) and took slaves--of flesh, but also probably of spirit too. Felassan's line about them needing to be 'better than that' when Solas sacrifices the spirits is especially revealing of how the Elvhen had begun to see spirits at this point, as not much better than modern Thedosians do. Solas's willingness to sacrifice them represented the beginning his own descent to their level--towards his own corruption, the very thing he feared. In some ways, what the Elvhen did with spirits is worse because they actually know the truth of what spirits are.

The moment the Evanuris declared themselves gods, they were intentionally creating an unbalanced social hierarchy that flew in the face of all Solas believed in (which at this point can best be described as the elven equivalent of basic human rights for all intelligent and even semi-intelligent creatures). As Wisdom, he would've understood that as soon as you create that kind of imbalance, it is a slippery slope for all kinds of abuse. When he calls the Inquisitor Mythal's 'creature', he is referring to them in the way he knew Mythal and many of the Elvhen would've viewed them--no longer a person, but a tool that has been enslaved and bound to her will. Slavery, in the real world context (or at least the context of the legal framework that supports it), hinges on dehumanisation. There are a lot of books on monster theory etc that go into how this plays into various forms of oppression too. So in order for the Elvhen to take slaves of any kind, they would've had to fundamentally stop viewing them as people, as equals.

Cole's 'it's not abuse if I ask' and Solas's 'not always true' really becomes very poignant in this context. Just because the Inquisitor chose to drink from the Well, it doesn't make whatever Mythal does to them next non-abusive. The other problem is that, if you make a choice like that, you have to consider the context that it's made in. I'm reminded of Dorian's justification of slavery in DAI--that a poor person selling themselves into slavery is the preferable alternative to living in the streets. What he fails to realise at this point is that you can't justify a choice made in an impossible situation because if the choice is between your survival and living in bondage, it's not really a choice at all. It's become a necessity that shouldn't exist in a society that claims to be civilised.

There's this dialogue from King's Rising (Book Three of the Captive Prince trilogy by C.S. Pacat, that deals with sexual abuse/slavery in a historical fantasy context) that kind of explains this better than I do:

'‘When I argued the case for slavery in Arles you didn’t try to change my mind.’ ‘It is not a subject for an exchange of ideas. There is nothing to say.’ ‘There will be slaves in Akielos. We are a slave culture.’ ‘I know that.’ Damen said, 'Are pets and their contracts so different? Did Nicaise have a choice? 'He had the choice of the poor with no other way to survive, the choice of a child powerless to his elders, the choice of a man when his King gives him an order, which is no choice at all, yet still more than is afforded to a slave.'

For added context, 'pets' in Vere are slightly different to 'slaves' in that they serve pretty much exclusively as bed-slaves to specific nobles. It's described as being slightly better than general slavery because there are contracts involved, but in practice it's not much different because of the inherent power imbalance. Nicaise is also a child of about 14 or 15.

In other words, you always have to consider the context that this decision is made in. If the circumstances that led to someone making that choice are that desperate, it means that something else--the actions of others--are fostering it, and that is the root of the issue. The Evanuris forced countless spirits and elves into making these kind of impossible choices, because by Solas's own admission, Elvhenan was a deeply corrupt place, no better than Tevinter. This is why he rebelled, and in lambasting the Inquisitor for drinking from the Well, he is expressing his own frustration in seeing the same thing happen yet again. The Inquisitor drank because they faced an enemy who had just demonstrated an alarming level of power and willingness to commit evil and they were running out of options to defeat him. The entire world, not just them, was threatened. Thus, they lose their personhood, because in order to survive they must accept that survival in its most basic form--at the expense of a life truly lived as it should be, as their nature compels them to live it. Thus, in losing their personhood, the prerequisite for slavery has been met. This is when Mythal helps them--not before.

There's also some interesting discourse about how Solas's refusal to let go of his identity as a spirit and become more of a person possibly played a part in Mythal's (and the Evanuris') view of him. He's referred to as a lap dog, a dread wolf. An animal. Not a person. The way Mythal placates him is not simply that of a mother and child but of a master and their dog. So at some point, he decided that wasn't going to simply serve her as Wisdom anymore, because it was keeping him enslaved. He let go of the spirithood he loved and wanted to gain personhood, a choice he should never have had to make if it weren't for the actions of others. He chose to become a version of himself he hated because it was the only way he could stop the same thing happening to others.

Worse still, he wakes up after uthenera to see a world that has, in his mind, degraded even further from what it was--at his own hand. People are even further away from understanding what he wanted them to understand. Slavery still exists. Mages are confined to Circles while Templars hunt them down. Spirits are still mistreated. Personhood is still a matter of debate. His sacrifices and Mythal's death have had no positive long term effect. It was all for nothing. The world continues to be terrible, because nothing within it can stay fixed.

[rowie264]

Why Timebomb shouldn't exist in s2 (part 3 - Relationship)

Part 1 - Ekko Part 2 - Jinx

Now let's look closer at relationship itself between Ekko and Jinx that was shown in the series.

To begin with, I will briefly define my position - I don't ship Ekko and Jinx. But! I can appreciate something, even if it doesn't match my preferences, as long as it's written well.

Timebomb wasn't written well, guys. The foundation - the characters themselves - has already crumbled, as I pointed out in previous posts, and everything else followed behind.

Ekko had a crush on Jinx as a child, yes. But Jinx was killing his friends. Jinx was following Silco's orders, and I'll remind you that Silco killed Benzo and it was because of Silco that zaunites got hooked on shimmer. Forgiving all her actions and understanding why Jinx willingly followed Silco would have taken Ekko muuuuuuuuch longer than it was shown in the series. To cite their childhood bond is to reduce the depth of their conflict and importance of firelights to Ekko.

It's even worse on Jinx's side. Throughout both seasons (except for act1 s1), she doesn't think and talk about Ekko. Zero thoughts about him, zero reflection, as if she didn't care about him at all. All I see in her is a feeling of nostalgia for old friendships in a moment of vulnerability. How am I supposed to believe in their connection if one of the characters doesn't have a single second thought about the other?

And finally, episode 7. Why does it exist (regarding Ekko arc and his realationship with Jinx)? Does it reveal the characters in any way? Well, everyone except Ekko and Heimer are completely fucking different people and have nothing to do with the original ones, so I don't give a damn about them at all. Perhaps Ekko reveals himself more as a character? Mm… And how? What's new we find out about him? That he could be Heimer's student? We already knew he was smart. That he could have dated Powder if things had turned out differently? Well, thanks for the information, but why do I need it? Wouldn't you rather to reveal relationship between Ekko and original Powder/Jinx instead of wasting time on "what if"? Did Ekko need to make a time machine in alternative timeline? No, he could do it in canon timeline just fine.

Also, this "what if" does not serve to reveal relationship between Ekko and Jinx in original timeline. Or did Ekko need to see Powder (like a good version of Jinx) to understand that Jinx is a grown-up Powder and that she is still inside Jinx, and not gone as he thought? Well, you know, I personally saw it already shown in s1 on the bridge (in much more emotional moment with original Powder/Jinx lol).

And what do we have as result:

Ekko is not fully revealed; Jinx has become an OOC; their connection is not shown either through reflection, through characters thoughts, or through any interactions/mentions with other characters; they have very little screen time together - Powder in alternative timeline doesn't count bc she is completely different person; they get along with a snap of fingers as if they hadn't been enemies for many years; Jinx murdering Ekko's friends have no influence at all; restoration of their friendship takes place in a very short unrealistic period of time and, moreover, off screen; the romantic line is sucked out of the finger only to please shippers and is very poorly written.

Timebomb is the ship that demands slow burn if you don't want to fuck up the characters. It demands to attend to their complicated story and broken relationship before going anywhere romantic.

But all of it was brushed aside and that's why i'm not happy about Timebomb existing. Because Jinx's and Ekko's personalities, their complex history and their potential was sacrificed for the sake of this ship.

[beauty-and-passion]

And finally... the Ithaca Saga

We did it. We reached the end.

And we did it this year, in 2024! I suppose the moral of the story is: if you're truly passionate about something (and have big plans), you can do anything.

And by "anything", I don't mean just "finishing the concept album": I mean fighting against weather, bad luck and probably the gods themselves, to do what you planned.

I imagined everything, except that Mr. Jorge's plan for the final stream of his entire album, was to go to the goddamn island of Ithaca and stream there.

But, you know, it was right. It felt right. It was a very poetic choice, to bring a modern version of the Odyssey back home. To let the musical reach its artistic birthplace. And it's even more impactful that it wasn't just Odysseus' voice to (figuratively) return home: it was the entire story, through the voices of all artists involved.

However, since it's the Odyssey we're talking about, the trip to Ithaca couldn't have been simple either: what kind of boring story would it be, if everything went smoothly from start to end?

Greece's weather is overall warm, even in winter. However, there are the occasional storms/typhoons/rainfalls that last for a couple days and drown or destroy parts of the cities. And Jorge faced them not at the end of his trip, not in the middle: at the beginning, just in time to stop him from reaching Ithaca too easily.

And I believe this is all Ithaca's influence, because something similar happened to my father and brother. Last summer, they were supposed to visit Ithaca as well, but first found no available ferries, then the rain started to pour down, their car died on the nearby island, there was no available mechanic and when they finally found one, their car got fixed just in time for my brother to go to Athens and get his flight back home.

Sooo... it looks like Ithaca doesn't want visitors at all, no matter if it's summer or winter, and it does everything to keep people away - or at least, to make them have a small personal Odyssey before reaching it. Also because, according to the last shorts from Jorge, it looks like the weather changed into the usual warm, greek temperatures now. And he seems to enjoy his stay too, so I suppose the true obstacle is just reaching the island.

But enough about Ithaca, let's talk about Ithaca: there were huge expectations for this Saga. This is the final one, this is supposed to wrap up Odysseus' story and the last loose threads.

And it does. It takes its time to wrap up the last characters and it does it organically and coherently. There are no OOC moments - and this is a huge point for me, because my main complaint in the last Saga was that Odysseus moved too quickly from "let's try to discuss" to "stabbing time": here you can see and understand why he gets so angry and he even takes a few lines to further clarify his emotions.

The pace of this Saga is good too: there are no dead moments and the songs move smoothly from one event to the next. It surely helps that they cover a period of 24 hours more or less, but still.

__________________

The Challenge: this is the first time we actually hear Penelope. Not the one from Odysseus' memories, not a siren, not a vision, but the real one.

And the real one is truly the perfect woman for a clever man like Odysseus: she's intelligent, she's resourceful, she reads the signs and does the right things to buy more time. That's what she did in the Odyssey too, so it's nice to see this trait of her character here as well.

And even though the events here happen for slightly different reasons (in the Odyssey, the bow challenge was just another attempt to buy more time, while here it's something Penelope proposes right after the storm, as if she feels things are going to change very soon and her husband is coming back), it still doesn't sound forced or unnatural. It fits Epic's narrative, without damaging or going against the spirit of the original work. That's how you do a good rewrite.

One last thing about Penelope: I love how, with one single song, we can see her pride, her strength, her cleverness... and her love too. She herself says she didn't expect to end up like this, but for love, she's ready to do anything. Even waiting 20 years for a husband she doesn't even know if he's still alive, buying him time in every possible way and keeping on hold 108 dangerous, younger men who need just an excuse to rise against her and her family.

__________________

Hold Them Down: what did I say about that excuse?

Jokes aside, this is some powerful villain song and I ADORE it. The rhythm? Great, majestic, terrifying. The drums and the chorus are chilling.

But even more than them, it's the entire song, to be terrifying. And not because of its themes: it's because of the details.

Antinous doesn't just say "We will kill Telemachus and rape Penelope": he describes step by step what he wants to do. He presents a clear, precise plan of what he wants to do and how he wants to do it.

That's what makes it so chilling: how careful he is with the details. How he pondered about everything. His willingness to do all the things he says, without an ounce of doubt or fear.

And what's even more terrifying, is how Antinous' words are welcomed by the chorus of the other Suitors. There is no coldness, no shock, no fear: there is this palpable, growing excitement, that grows stronger the more he describes his plan. The chorus accompanies his words, anticipates them eagerly: they cannot wait to hear what he wants to do next.

And when Antinous says Penelope will be at their mercy after Telemachus' death, silence drops for a moment and the line: "And then we'll" is welcomed by pure silence. This perfectly shows how all Suitors held their breath, for one second, waiting for Antinous to say it out loud, to push his plan further and say what they were all thinking: without a man in the house, they could've had access to the queen's bedroom and body. They were waiting to hear it. They wanted, needed to hear more.

This is how you make a great villain song. This is how you build a terrifying villain: it's not just Antinous, who can stir up an entire crowd, by pushing on their primordial instincts. But it's the crowd itself, that welcomes the terrible images he proposes, because they were already in their minds. They were already thinking all of that: all they needed was someone to propose it out loud.

Of course Odysseus goes into full rampage mode after that: who wouldn't?

One last detail I appreciated a lot: the allusion about how the prince was on a diplomatic mission. Sure he was, that's how Odyssey starts: Telemachus leaves Ithaca to search for more news about his father, visits Sparta, Menelaus tells him about the Troyan horse and so on. It was a nice reference.

__________________

Odysseus: a song better known as "Odysseus cleans his house from 20 years of filth".

I've already talked about the first lines and I appreciate them a lot, not just because they further clarify Odysseus' thoughts and actions, but also because they imply he spent some time in Ithaca before this moment, enough to see how the Suitors treated his palace. There's a huge lack of Argo, the only dog who lived something like 20+ years and died right after seeing his owner one last time, but I suppose that his dog's death would've sent him into ultraviolence mode instantly.

I lovelovelove the ensemble chanting Odysseus' name. It's solemn, it's ineluctable, it reminds me of old church hymns and I am a sucker for that stuff.

But I am also a very bad person, so when I listen to Eurymachus saying "hey, what if you spare us and welcome the world with open arms instead" and he gets slaughtered with a "no" as a reply, I laugh.

Yes, I am a bad person.

Okay, fine, we can acknowledge how this wasn't what Polites meant with open arms and how no one has been able to fully understand his mentality... but also, it works perfectly to show how Odysseus changed. In the past, he would've been tricked by these words - and it would've led to him losing more people he loves.

But after going through so much shit, he's not willing to trust others anymore. The time of open arms is gone forever. As he says, "And as long as you're around / My family's fate is left unknown".

And so, it's ruthlessness time. Because, as Poseidon told him, ruthlessness is mercy upon ourselves. And Odysseus would find peace, only if he gets rid of all the dangers around.

Because come on, we know the Suitors would've found a way to still try to kill or hurt him and/or his family. They don't play fair, they said themselves. Sparing them would've only hurt Odysseus in the long run.

And if we consider the time period, killing all the opponents was all Odysseus could do, to regain control over Ithaca.

Think about it: he has been away for 20 years, leaving the island without an adult male ruler. Of course this led all other, younger men to become restless and prideful and do things they would never do, without a strong leader: like trashing the leader's palace or trying to hurt his family.

Odysseus' only way to regain control was to show everyone he was still the strongest. And the only way he could do it, was to get rid of all the people who were undermining his authority. This way, he got rid of the dangerous ones and taught everyone else a lesson: do not even try to oppose my authority again, because I am still the strongest man of this land - and therefore, the only leader.

__________________

I Can't Help but Wonder: so, right after showing everyone he was still the ruler and the stronger and so ruthless, Odysseus takes his time to softly listen to his son and tell him how much he loves him.

No, I am not crying, I got this song stuck in my eye.

But seriously: the softness, the love, the affection he holds for his son. And how this is all beautifully portrayed through Jorge's voice.

I know others already said it, but the way he modulates his voice is incredible. He really sounds older here, an old man talking to this young boy who is so confused and full of doubts about his own strength... and like the father figure Telemachus always wanted, Odysseus reassures him: he's sure his son is strong, he understands his pain and the troubles he experienced. And he loves him, with the unconditional love a father has for his child.

I said I am not crying.

The Athena part has been a surprise: honestly, I feared Jorge forgot and we would never see a closure for them, but we actually got it!

And it was a very good one: Athena asks if there is a world where empathy is stronger than fighting. A world where people can understand each other more and not always resort to violence and ruthlessness.

There's an implicit invitation in her words: would Odysseus help her pursue this world? Would he still be her warrior and work for this new, greater tomorrow?

And Odysseus refuses. He's too old, too tired. This world is too far beyond his reach. We are still trying to reach it and we are getting glimpses of it in our everyday lives.

Athena, thanks to her immortality, can live long enough to see this far-away future, but Odysseus? Maybe in the past, when he was younger, he would've loved to see it. Now he's had enough of adventures. All he wants is to finally see his wife again.

And Athena proves her growth, by that simple "very well". You can hear a smile in her tone. She's not angry at him, she's not resentful: Odysseus made his choice and she's okay with it. Their paths divide forever, not with bitterness but with understanding.

__________________

Would You Fall in Love with Me Again: better known as "I am not crying, I said I am not, I just got the Odyssey stuck in my eye".

Odysseus reveals his wife all the awful things he did, he insists he's not the same man - Tiresias told him too, he's not the same kind and gentle husband he was and he will never be anymore: he's a man marked by hardships, by the war, by the world.

By saying it, he reminds me of the war veterans, the people who faced horrors and survived, to come back as changed people. Odysseus is one of them: the war left a mark on him and the following 20 years deepened that mark, made new ones, scars and terrors that will haunt him forever.

So of course he's not the same and he will never be: life and its hardships changed him too much to come back to the naive, younger man he was.

And yet, despite everything, Odysseus is still the same man. And Penelope proves it, through the bed trial. Again, I love how it has been used here: in the Odyssey, it was Penelope's way to be sure the weird beggar-looking guy who just killed everyone truly was her husband. Here it's her way to prove to him first that yes, he still is her husband. He may be rougher, more ruthless, filled with more regrets and anger than before... but he's still him. And she doesn't care what he did: all she cares about is that he's finally back.

Does that make Penelope a bad person too? Personally, I think it makes her more human. She spent 20 years imprisoned in her own house, with 108 possible predators trashing her place, desperately trying to buy more time for a husband she didn't even know if he was still alive, all while trying to hold the predators down as long as possible, so they wouldn't hurt her or Telemachus. Can we really blame her, if she doesn't care about what her husband did to come back, as long as he's finally back?

__________________

A truly passionate project

Epic the musical is a project overflowing with love. Every artist, every voice, every song is filled with passions and emotions and they shine here, in the final Saga, more than ever. Jorge's voice has been incredible, the way he went from sounding like an old father, to a younger man again. How we shifted from love and affection, to anger.

Penelope? Amazing, brilliant, incredible. All female voices are A+ and she's no exception.

The instrumentals? Always on point, they highlight the emotions and the mood of every song perfectly.

All the artists? Incredibly fitting, superb voices. Each of them did an amazing job with their characters, each of them brought their own spin to it and made them iconic. I don't think we'll easily forget characters like Hermes, Circe, Calypso, Athena, Scylla, Tiresias or Zeus. I know I won't.

And yes, I will fondly keep this version of the Odyssey close to my chest. It's so hard to find good modern versions, now that I found one, I won't forget it so easily.

__________________

The end?

The concept album is done, but that doesn't mean Epic is over. Jorge already said he wants to make videogames and, hopefully, give the musical some live adaptation.

So it's now right to say this is the end: this is the first step of a bright future for this series. And I personally can't wait for what it will bring.

In the meantime, as always, do not forget to stream the Ithaca Saga (and the whole musical for that matter), support Jorge and show love to all the people involved: they deserve it. Every last bit of love. It would be only fair, considering how much love and commitment they poured into this project.

That's why I would like to thank them all again for their hard job. It has been a truly wonderful journey and I can't wait for what 2025 will bring them - and us.

[incorrect-fnaf-quotes]

Rabbit Restoration Project: |4|

It was a bad idea. It was a very, very bad idea, you thought.

It wasn't exactly like the situation with the rabbit had happened a long time ago. As you sat on the living room couch, shifting uncomfortably, your phone was pulled out.

The time was only 7:30--and there was a part of you that almost couldn't believe that such a short amount of time had passed.

It was still so early--and, originally, after returning from the drive... you just planned on collapsing atop a surface, and letting yourself drift off into a nap.

Finding the rabbit had changed your plans--especially with the thing choosing to get up on its own for almost no reason and explore your home.

Is it malfunctioning? You put the phone back in one of your clothing's pockets. It did look pretty bad... worse than anything else I've worked on in some time.

You shifted around again on the couch, but no position really seemed to be all that comfortable. Wouldn't it just do something else? Why would it take a look around?

Somewhere else within your home, an unknown item seemed to collapse--as the clatter of it reached your ears--nearly causing you to flinch. It was followed by footsteps.

A deep breath was pulled in. The robot thing... you hadn't exactly chosen to follow after it after the little deal with the shovel.

You'd had very few encounters with a robots--animatronics--but in all of those quick moments, you had never seen one upset before--not like after the arm had detached.

It was upset with that. With me? A strand of hair found its way between your fingers and was in the process of being spun. They aren't supposed to get like that...

As far as you were aware... simple things like that--whether they were meant for some kind of restaurant--or a haunted house--like what you recalled when first finding it...

They didn't exactly seem to be aware--to be sentient. They would all do what they needed, but that was simply because of whatever programming that they had been given.

The few you had seen, they'd been trapped in place--whether that was a tiny little stage or strung up somewhere high--and their movements had always been limited, and choppy.

Although, the rabbit had seemed aware. Very aware.

When the two of you had bumped into each other while leaving the bedroom, it... the way it reacted--had it gotten startled? I don't think it was expecting to see me...

And then you'd made it lose a limb. It wasn't like you meant for that to happen--the rabbit was just... evidently, quite damaged from something--and far more than you had thought.

The rabbit had been uselessly trying to reattach the limb--that had been clear in its intention. If it had been any other robot I'd seen... You rose. It would have just kept doing whatever was programmed.

Is it just more advanced? Really broken, but advanced. Another clatter from somewhere, and your body couldn't help but tense ever so slightly.

The commotion had been going on ever since the rabbit disappeared, and in the moment, you hadn't been very certain on following after the thing--not after that.

What if it attacked? The thought was still making its way through your mind, bumping into other, calmer thoughts. If it did... well, what could you do?

The thing was heavy and made of metal. If anything were to happen... you were completely certain that the rabbit would be the winner, and you, the loser.

Maybe it's only weak to shovels. As the thought drifted in, you held in a snicker, before forcing your legs to start moving forwards.

Earlier, you'd been hesitant--but, maybe, you really should try to see what was going on...

The thought of calling someone--or just leaving--had already made themselves known--but... how exactly would that go?

Simply shaking those two away, you moved further away from the comfortable couch, hand reaching into a pocket to retrieve your phone.

You still didn't plan on attempting to call anyone, no. Instead, fiddling with it in one hand, you managed to get it onto the camera app--preparing it to record.

At the very least, while checking out just what exactly the rabbit was doing, you could try to give some updates to your viewers--given the stream had ended rather abruptly.

The longer that you walked, the closer all of the sounds seemed to be getting. Right now, it just sounded as if someone happened to be pacing within your home.

It was pretty easy to know just who that someone happened to be.

Turning a corner, you were met with a few doors--most of them still remained untouched, closed--just like how you typically left them.

Although, to the right, there was one door--which was the third bedroom in the house, and you only recalled a rare guest visit resulting in the room being used once--was wide open.

Sucking in a breath, and trying to keep your steps quiet, you began advancing again.

Your plan was to try and hide out of sight but stick the phone out enough to record the thing in there--just for a few seconds, at least--and then retreat.

What if it sees the phone? Your eyes narrowed. Would it even know what a phone is? Would it not be bothered, and keep doing... whatever?

Pushing yourself against the wall--before your legs started to move backwards, and retreat before anything was done--the 'record' button was pressed on the little device.

With an arm outstretched enough for the phone to be taking a good enough look into the room, you tried to keep your breathing a little quiet. Can it hear pretty well?

From inside of the room, yet another thing fell down onto the floor--and what sounded like a rather frustrated grunt--certainly from the rabbit--followed.

Then, there was the stomping of a heavy, mechanical foot.

Deciding that that was enough, you pulled the phone back towards you--pressing the 'record' button once again, so that it would actually stop.

Your other hand did the movement first--slamming the door shut--even as your mind was in the middle of processing, and trying to ignore, the thought.

From within the room, there was a low grunt--and a loud whirring sound, as if something were turning--like the mechanical head of the rabbit, for example.

Although, in the moment, that was just your best guess--you didn't care to reopen the door and check on the thing.

Instead, spinning yourself around, you began speedwalking through the home--hoping that the rabbit wouldn't turn the door handle, look out, and follow.

In the middle of the little retreat, you glanced down at the phone--pressing the newly recorded video.

It showed the rabbit standing to the left of the bed--with the detached limb abandoned on the covers. There was a tall, bare nightstand.

It contained about five drawers, though--three of which, in the video, had been completely pulled out, and were collapsed uselessly on the floor below.

Just as the video had started recording, the rabbit had seemed to pull its attention onto the fourth drawer, pulling it wide open, before going through some kind of search.

What's it trying to find...? Dissatisfied, not being able to locate what it wanted, the rabbit pulled the newest drawer out completely, and the object quickly joined the other three.

The rabbit grunted, and then stomped its foot--just like what you had heard while waiting.

Turning the phone off, and shoving it back into your pocket, you turned the rest of your attention into not accidentally bumping into anything.

If the rabbit had left the room, it didn't seem to be following, at least. I'm sure I would hear it... it's a loud thing.

In record time, you reached your own bedroom--shutting the door with your foot as you hurried inside.

The bedrooms didn't exactly have any locks--but with a seemingly frustrated robot rabbit within your home... you really wished that this one did, at least.

There was a bean bag chair in your room. It was the first thing to come into your vision--so, for a few seconds, you took the time to pick it up and place it in front of the door.

The only other thing's in the dim room were the bed, a nightstand, and the dresser that your TV sat across. You doubted that you could move any of that.

The bean bag chair would, unfortunately, have to do.

With a low groan, you fell forwards onto the bed, face meeting the hardest part of your pillow.

@mcfries123 @ravenmccookies @spaciebabie

[avo-gal]

Varigo villian au lore (pt2?? Ig?)

Soz this took longer than expected lol.

So originally I had two ways for varigo to meet but this is the one I ended up liking more.

Varian

In this au when Rapunzel frees Quirin that was sort of Varian's breaking point bc Quirin didn't survive the Amber. Quirin possibly being alive and things going back to normal was the only hope Varian had left without that he.. lost it to keep it short. Andrew tries to work his way back in and Varian practically freaks out and kills him. Whether it was intentional or not he's still not sure. But a part of him that sick twisted part enjoyed it. So now his mission is to kill all those that cross him and in doing so rise to power. Varian in this au is (for lack of a better word) very insane. He's kinda similar to jinx from arcane? Except less childish. He's like a mix between Jinx and Silco personality wise.

Hugo

Hugo meanwhile is still a thief. He finds the abandoned village of old Corona and decides to raid one of the few remaining houses for any goods. That house was old and messy. The rooms were filled with blueprints, designs, lab equipment, tools, metal, etc. Hugo is fascinated with these designs and is a good engineer. that's when a raven haired boy sees him and initially freaked out and is about to kill him (which he's kinda into cause like damn). But Hugo is able to schmooze his way out of that with a good ol "I hate the rich. You hate the rich. We should kiss- I MEAN build these robots and weapons and take over the kingdom together!" Over the course of about a year (more or less) Varian and Hugo build everything and take over (it actually wasn't too hard). Hugo in this au isn't too different from his regular self. He's more energetic however and isn't afraid to get gorey. He is def a masochist in this au lol. Whilst Varian does constantly give him opportunities to have the same level of power as him Hugo never takes it. One reason is he does want the responsibility another may be that he likes being below Varian.

Varigo

Over all Varigo have a sort of situationship? They'll refer to the other as their partner, boyfriend, fiance, etc. But their relationship is very toxic. I wouldn't say manipulative exactly more power hungry? Or fear fueled? They do care very deeply abt the other (since they are the only ones that care abt the other) and if U hurt one of them the other wouldn't hesitate to kill you. But they often threaten each other physically and emotionally (and not always in a playful way). Hugo on the outside seems like he's only in the relationship for the money and sex and Varian seems like he's only in it for reassurance and weaponry. But they both have common interests and are almost unstoppable when they work as a team. There are a lot of layers to both of them the closest couples I can think of to reference them to is stolitz more so in the earlier seasons and maybe Harley Quinn and the Joker? I'm not very good at explaining their relationship but they are very fun to write lol.

Donella

I haven't given Donella much thought in this au. I think after finding out Hugo has taken over Corona with Varian she tries working with them offering her men and resources.

TTS Cast (may change)

Rapunzel, Cass, Eugene and the others have a sort of rebellion in the snuggly duckling. I haven't thought too much magic hair wise but I think Raps has lost her powers by now so they have a very low chance of winning. The current state of this au is abt a year after Vat7k would have happened.

Someone asked on the last post if I plan on writing a fic for this au.

The answer is not currently no. If I did write a fic for this I would want to have more planned out and there's alot in this au I'm still not sure abt. If it got enough attention or if someone also wanted to write a fic I might do a couple's one shots just to sort of show the characters and how they act in this au. But for now I'm prob just gonna stick with occasionally posting abt it. As I said if it gets enough attention or if I come up with more for the au then I might do something big or post more often abt it.

Okay byeee U guys are amazing make sure U eat today <33

🥗🍟🍕🧁

[masked-alien-lesbian]

Aislinn x Vampire MC (Verity Wright)

Aislinn finds out Verity's true nature part 1

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[poorly-drawn-mdzs]

Bonus 6: Dress-up

[First] Prev <–-> Next

[austenpoppy]

Dick and Bette Kane - part 1

I started writing this as an answer to the people who claim they love Dick's "petty" side/him not being welcoming to specific people he supposedly has a grudge against. The problem is, those same people tend to mention Helena Bertinelli or Jean-Paul Valley as examples of that happening, when it doesn't reflect at all the relationship he had with either of them in the New Earth continuity (which is generally the one being referred to).

I will do a breakdown of Dick's relationship with those two in separate posts, but it got me thinking about a "heroic" character Dick's been consistently uncomfortable around in that same continuity, and one he openly doesn't appreciate much : Bette Kane, a.k.a Flamebird. Yet people do not seem to ever list her among the characters Dick's not very fond (for very good reasons).

Bette Kane's an interesting concept as a character, because she's not a very good super-heroin, but she's extremely competent in other areas of her life. As a teenager, she began playing tennis in competitions, and she was so good at it she quickly became "a pro", and was considered something of a celebrity.

Yet Bette dreamed of something very different. She openly admired Robin (Dick) and wanted to imitate him by becoming a super-heroin of her own. She even designed her costume as a tribute to him, and chose the code name Flamebird. That's somewhat ironic considering Flamebird was originally Nightwing's partner back when Nightwing was an identity Superman had used.

Bette as Flamebird's New Earth origins are recounted in Secret Origins, vol. 2 annual 3, which is focused on a mental attack Dick suffers at the hands of the Gargoyle. Here Gargoyle narrates one of the first acts Bette did as Flamebird, which was saving Navy men hanging to lifelines attached to an air-craft carrier that was being lifted into the air. Other super-heroes helped resolve the situation, and that teamwork is what prompted the creation of Titans West.

Secret Origins, Vol. 2 Annual 3

Interestingly, you can see that Dick wasn't really aware of how much he'd inspired Bette, and this mental fight with the Gargoyle happened several years after his first meeting with Bette as leader of the Titans, and years after his first meeting with Bette at all.

At first glance, this may seem surprising, given that Bette was obsessed with Robin and wasn't remotely subtle about it. After becoming Flamebird and rescuing the Navy men, she was part of the unofficial first meeting of Titans West along with Gar, Hank, Dove, Charley, and Lilith. And her first reaction was to be delighted at the idea of seeing "Robin" again, calling him "a cute hunk". When Lilith asked her to tone it down and be serious, she instead went further by commenting on Dick's legs.

Secret Origins, Vol. 2 Annual 3

Then when it became clear the newly formed Titans West would have to seek help and go see the official Titans in New York, all Bette cared about was that she was going to work with Robin.

Secret Origins, Vol. 2 Annual 3

When the two teams finally met, it wasn't love at first sight. Once they finally started discussing the case they were working on, Dick suggested a plan of action that involved the two teams splitting up. Bette cut him off as soon as he said it to contradict him and affirm that she was going with him, which she ended up doing.

Her behaviour was honestly creepy. She cut off Dick just because she'd decided that she was going with him. She didn't refer to him by his code name, but only by the part of his body she'd commented on before, calling him "legs". She took his face between her fingers. And the sentence "I've waited too long for this", coupled with the nickname, would've made my skin crawl. It sounds like she'd fantasized about Dick for a while, was going to have what she wanted no matter what, and had no problem announcing it out loud.

Secret Origins, Vol. 2 Annual 3

After the case was over, the two teams had a fight over what team had done more to solve it, and over the legitimacy of Titans West. Wally criticized the way they'd come into the headquarters like they belonged, Bette said they did because they were Titans too, and appealed to Dick to validate her opinion - calling him "legs" again, which implies that this was the nickname she gave him the entire time they worked together.

Dick said he wasn't sure whether it was a good idea for the others to be Titans, because he wasn't sure he would be able to lead two teams, one of them long-distance. Members of Titans West were affronted by Dick's speech, including Bette. She went with the others, talking to Dick again to tell him that "[he'd] never know what [he'd] missed", making her departure partly about a romantic/sexual golden opportunity Dick didn't take. Appreciate the fact that she called him "Robin" again now that she was irritated by him.

Secret Origins, Vol. 2 Annual 3

Titans and Titans West had a couple other team-ups before Titans West disbanded, during which Bette learned Dick's secret identity. From the way Bette acted during the one team-up recounted in details in New Titans #56, we can deduce that every time she met Dick she kept trying to seduce him, persistently, relentlessly, in obnoxious ways that sometimes border on sexual harassment.

It was well-known that Bette was obsessed with Dick - not like Bette was trying to be subtle about it, she had no problem making her intentions clear and that publicly. There's a panel I couldn't include in which Hank scoffs at the idea that Lilith "trusts" Dick and tells Charley that "she's got the hots for him. Just like Bette."

I'm sad I couldn't include it because there's this hilarious exchange after in which Hank bemoans "Man. That burns me. What's he got that I haven't ?" and Charley answers "Look in the mirror and weep" (lmao).

But as I was saying, Bette kept trying to hit on Dick. In the panel below she asked him whether he needed help (the "sure" implying it's not the first time she asked the question), only to say that it was "[his] loss" when he said no. Dick was very polite in his answer, thanking her for her offer, but was turning her down all the same.

New Titans #56

Not long after, Dick told off Hank and Charley who'd gone in an argument over leadership and about their association with the Titans, before having the conversation about Dick I mentioned above. Bette immediately cheered him on, calling him "handsome" as she got close to him. Dick ignored her.

New Titans #56

During a fight she called out to Dick to warn him about an assailant, and had to sneak in a comment about his butt (whoever said this kind of things was recent was lying). Dick was clearly uncomfortable, answering with an embarrassed "Uhh, thanks, Flamebird" - the "uhh" plus the two commas in a three-word sentence indicate he didn't know what to make of her comment. He also corrected her to make sure she knew he'd seen the assailant she was talking about. It was a way for him to reaffirm his skills as a crimefighter (she's not the first one he said those things to), but also a way for him to reject her attention.

New Titans #56

She was also very physical around Dick. I can't include all panels of her, but she seemed to be near Dick most of the time, would touch his shoulder for no reason when they came in a lab, or, like in the panel below, latch onto his arm. Dick wasn't shown shaking her off, but he wasn't seen reciprocating either.

New Titans #56

So in the end, it's not a surprise Dick had no idea Bette'd wanted to become a super-heroin because she'd been inspired by him. Not when most of their interactions revolved around her attraction for him, not when she kept making comments about his looks.

As an aside, this is one of the reasons I can't take seriously anyone who says it's Devin Grayson's fault if Dick's been sexualized. Hard to do that when you have an entire character who could've been one of the best tennis players in the world but decided to become a crimefighter because she was obsessed with Dick, and kept gushing over his legs and butt. Dick's been dealing with that kind of things since the 80's, guys.

Part 2

Part 3

[raystranslationsfestival]

Dependable Older Brother.

Type: Skit. Character: Luke (First Skit). Characters Featured: Luke, Yuri.

Translation, recording, subbing by Shi. Proofread by Yewfelle.

[boatboys]

actually on the topic of old drawings; the first-ever drawings I did of Rich, Liam, and Sol turned up on my deep-dive of old discord messages and I was compelled to redraw/compare!

Rich very much predates the worldbuilding of the Michigan Fleet universe, as one of Key/rollerskatinglizard's oldest OCs, and was originally just a normal amount of un-tweaked big and buff dude, although I also sucked at drawing people with body mass back when I drew these lol. It does make me laugh that the huge crooked nose and sad, downturned eyes have been a constant from sketch one!

Liam predates the Michigan Fleet as well and was originally mine! He..... hasn't changed much actually haha. Although his size/prettiness/temper being a genetic modification is new, from the first lengthy discussion of mods where fourhands and hastings both got established (although not by those names). It looks like I coined the mod name "Babydoll", which I do NOT remember doing.

Sol was the most Group Effort of these three, looking back at the messages: Key invented a salty little gorgeous asshole with modded hearing for a snatch of interaction in a wildly different context than his new introduction; roach was the one who suggested the elf ears and iridescent hair to go along with it, I was the one who suggested he was from New York and threw several large pinches of "a big tsundere about Rich" into the mix, and a lot of the much later patrician worldbuilding was roach.